Loving God Through Xmas Music?

From Thanksgiving to Christmas Day, the sounds of Christmas music are everywhere: stores, TV specials, many radio stations. Every year, the biggest oldies station in Dallas becomes “The Christmas Station,” this year starting in mid-November.

There are two ways to respond to Christmas music, I think. One way is to let it stream unfiltered into our hearts and minds as the background noise of our December lives. The other is to be intentional about categorizing what we hear, letting it all remind us of “the reason for the season.”

I suggest that Christmas music falls into four categories, and we can mentally tag each song with the appropriate category as we listen:

Songs About Weather
What do sleigh rides have to do with Jesus’ birthday? Nothing. But a number of songs we only hear in December are focused on northern-hemisphere weather. Key words are snow, cold, frosty, winter, and jingle bells (because they belong on sleighs, apparently).

Songs About Fantasy
All songs about Santa Claus, the Grinch, elves, and Frosty the Snowman belong in this category. Make-believe characters have nothing to do with the birth of the Savior, but we only hear them at Christmas.

Songs About “Xmas Feelings”
There are lots of songs invoking warm and fuzzy feelings about Christmas, and being together, and good cheer. It’s “the hap-happiest season of all,” right? Other songs highlight what the singer wants for Christmas, ranging from a kid’s two front teeth to the not-TOO-greedy “Santa Baby” song: a fur coat, a car, a yacht and a ring. Be sure to hang some mistletoe so you can score a kiss from somebody. (Except that given the current movement to expose sexual harassment and crimes, that might not be the best move right now.) I call these “Xmas Feelings” because although the songs are played at Christmastime, none of them have anything to do with the reason we celebrate Christmas in the first place. It’s a totally secular feel-good holiday, so we can just X out the Christ of Christmas.

Songs About the Birth of Christ
Aaaah . . . now we’re talking! Most songs about Jesus’ birth are either Christmas carols, long venerated for the very good reason that they proclaim truth. We call them carols, but they’re really hymns that celebrate the Incarnation, God leaving heaven to become man. Most carols show deep insight into the glorious mystery of the Incarnation. “Hark the Herald Angels Sing” proclaims, “Veiled in flesh the Godhead see, Hail the incarnate Deity.” My favorite Christmas carol, “Joy to the World,” exhorts us—and the whole world—to embrace the Savior: “Let earth receive her King, Let every heart prepare Him room, And heaven and nature sing. . .”

In addition to Christmas carols, some more modern songs teach biblical doctrine. “Mary Did You Know,” written by Mark Lowry and Buddy Greene in 1991, elevates Jesus in a most worshipful way. “Mary did you know . . . when you kiss your little Baby you kiss the face of God? . . . This sleeping Child you’re holding is the Great I AM?” Still gives me goosebumps. Every time I hear it.

The continual presence of Christmas music is a good opportunity to practice discernment with every song by asking, “Which category does this song go in?” Using biblical wisdom to think intentionally is one way we can love God with our minds, as Jesus said is part of the greatest commandment (Luke 10:27). But then we can go on to a second step, which is to connect the dots between the songs and the Lord behind “the reason for the season.”

When we hear a song about weather: “Lord, I praise You for being the creator of winter—and spring, summer and fall.”

When we hear a song about fantasy characters: “Lord, I praise You for being real and true, and not make-believe like Santa or Frosty.”

When we hear a song about Xmas feelings: “Lord, the longings of the heart for love and for home and for belonging are all met in You. Thank You for drawing me into relationship with You as the giver of these good things.”

When we hear a song about Jesus’ birth: “Lord, Happy Birthday! Thank You for leaving heaven and coming to earth to reconcile us with the Father. Thank You for this wonderful song that reminds us that You are Lord.”

Bonus points for identifying “category error” songs that mix fantasy and truth. Examples: “Here Comes Santa Claus” mixes the made-up Santa and the True God:

“Peace on earth will come to all, if we just follow the light
So let’s give thanks to the Lord above ’cause Santa Claus comes tonight.”

Then there’s “Up on the Rooftop”:

Up on the rooftop
Click, click, click
Down through the chimney with
Good Saint Nick

Santa is not Saint Nicholas, a 4th-century Christ-follower in modern-day Turkey. St. Nicholas didn’t come down chimneys with toys for good little girls and boys! Santa is fantasy; “St. Nick” is real.

Happy singing . . . and thinking!

This blog post originally appeared at
blogs.bible.org/engage/sue_bohlin/loving_god_through_xmas_music
on December 12, 2017.


“Is “Lord of the Rings” OK for Christians to Read?”

Some young people in our church are reading some books called Lord of the Rings. Are these books suitable for Christians or are they ungodly books like that Harry Potter series? Apparently the teens think they are “harmless entertainment” from what I understand and they really enjoyed the Trilogy (read all 3 books). Please give me at least a sort of detailed explanation on where you all stand one way or another.

Dear _____,

We really ought to have an article on the Lord of the Rings trilogy. . .

It was written by a solid Christian, J.R.R. Tolkien, with a strongly Christian worldview. It is a tremendous blessing that something so biblical in its understanding has received the attention from Hollywood and the movie-going public that this trilogy has, and it has triggered further interest in reading the books that inspired the movies. We are completely behind the Lord of the Rings books.

I would like to point you to a helpful article by one of my personal heroes, Gene Edward Veith, who wrote an essay on LOTR in World Magazine: www.worldmag.com/world/issue/12-08-01/national_1.asp

Hope this helps!

Sue Bohlin
Probe Ministries

Published July 2004


Addendum, Feb. 2013:

Our friends at LeaderU.com created a marvelous Special Focus with the release of the LOTR movies that features links to excellent articles:

Lord of the Rings: True Mythology
Is Lord of the Rings, the most popular in the UK of all works in England’s great literary legacy, based in pagan myth or Christian themes—or both? Dig into the story behind the stories and their master storyteller in our Special Focus.


Finally! Quality YA Fiction from a Christian Worldview

May 30, 2009

Phantom IslandKrissi Dallas has hit the road running with her debut novel, Phantom Island: Wind. It instantly found its way to the number one selling spot at Authorhouse.com as the word-of-mouth buzz about this page-turner spread like wild fire surrounding the novel’s release. The novel is Young Adult fiction; it’s full of drama, adventure, suspense, and romance. As a vested seventh and eighth grade teacher and the wife of a youth pastor, YA fantasy-fiction is something Krissi Dallas is an expert on and has a passion for. Her love and affinity for her students, as well as the openly autobiographical nature of much of the book, have allowed Dallas to “open a vein,” and write from the depths of who she is, from the heart. This deep connection transfers itself to the reader. I found myself desperately curious; no, not just curious, committed and concerned about the characters. Reading until the end of the chapter wasn’t enough: I had to find out what would happen next and would they be okay. I don’t think I have ever read a book this size this quickly—not even any of the Harry Potter series… which I also toted obsessively wherever I went so I could read every chance I got.

Phantom Island: Wind is divided into three parts, and it’s part two that really gets you. If you weren’t addicted already in part one, you definitely will be when part two begins. This is also where the fantasy part of this fantasy-fiction novel really kicks in. You know how you can tell when you’re reading really good fantasy-fiction? When you can’t tell. If you ever find yourself questioning the reality the author’s created, it isn’t good fantasy-fiction. While reading Wind I never once caught myself raising my eyebrow thinking, I don’t know about that. I was completely engrossed.

Wind is well written. Dallas has a captivating command of detail. Good literature is good literature, regardless of the target audience. Phantom Island isn’t just for teenagers; it’s for anyone who hasn’t forgotten how to read — how to imagine and empathize and create. The plot and character development; the intrigue, the tension, the romance, the journey, the discovery; every thing about the Island kept me turning pages when I should have been sleeping.

Wind is the first book in the Phantom Island series. Water, is scheduled to come out Summer 2010. It’s always nice to have something to look forward to, especially the “small” things; I can’t wait to find out what happens next. For more about Phantom Island visit www.krissidallas.com/.

This blog post originally appeared at reneamac.com/2009/05/30/phantom-island-wind/


Glee-tastic!

May 4, 2010

I love this show. I’m not afraid to admit it. The raw talent of the cast, the character development, the geekiness, the music (duh), and the wonderful caricature of the American high school experience. I come back week after week for the clever plot lines and dialogue, and the overall impeccable artistry. I know what some of you are thinking–Glee is just a show about sex-crazed teenagers, pushing a liberal agenda! How can you watch that stuff and call yourself a Christian? And you’re right… on the surface. If you look deeper, you’ll find more depth—just like with teenagers, come to think of it. They can be a mess on the outside, seemingly concerned with nothing but what’s superficial, shiny, sexy; but if you take the time to look deeper, wow: what perspective, passion, potential. (Whereas we adults tend to keep our messiness better concealed.)

Glee has such high appeal in part because almost everyone, both in and out of high school, feels like somewhat of a misfit; and Glee is a show which highlights that fact and how essential it is for us as unique and even flawed human beings to have a safe place to be unique and even flawed, giving us our common ground back and showcasing what the Church ought to: hospitality. The show also has lots of appeal because it’s good art: it’s well made and speaks to the human condition. If we don’t want to forfeit our influence in our world, then we need to be more discerning about art: just because a show (or song or sculpture or painting or novel) depicts unChristian ethics or values doesn’t mean it’s bad art. Likewise, just because a piece of art depicts Christian values doesn’t mean it’s good art.

Sometimes the art we come in contact with will match up pretty solidly with the Creation-Fall-Redemption narrative of Scripture. Sometimes it represents the complete opposite ideas about what life is like and what it means to be human. But most of the time, as with the TV show Glee, we are presented with ideas that partly conform to Christian doctrine or ethics, or are but a shadow—”All truth is God’s truth.” Art comes out of the ideas in the heart and minds of the women and men who create the work, and Romans 2 tells us that God has written his truth on the hearts of all people. Certainly Glee is a shadow, and at times, in that shadow are moral messes and liberal agendas. So we have to watch Glee through the lenses of our biblical worldview. We have to watch Glee with our brains turned on.

Watching Glee with our brains turned on, we can be aware of and reject what goes in opposition to a biblical framework, and affirm what is good, even if those good qualities and ideas about life fall short of what Christ gives as we pray his Goodness come; his Good be done (Mt 6:10). My favorite quality about Glee is the unexpected dives into full-bodied, deeply human characters. And it’s Glee‘s knack for flipping expectations and busting through the stereotypes, stereotypes Glee has set up itself, that allows me to write the following as a way of merely observing while withholding judgment, because you never know when Glee will flip something.

So what are Glee‘s flat places that I’m hoping will curve and plunge and flip? Well, I’m afraid they’re pretty typical: a woman’s choice; hypocritical, asinine Christians; “I knew you were gay when you were three”; and my personal favorite, feelings-driven love. That’s where I’m going to camp out, but I will make a small note about a woman’s choice. This problem goes deeper than abortion. Because regardless of whether or not we murder the child (and the good news is that more and more people [and movies and other social media] paint abortion in a negative light and favor life), when the choice is all Hers, we kill off the humanity of the father too. He becomes just a sperm donor. There’s a very important episode of Glee admonishing young men to treat women like persons and work against objectifying them. There needs to be one about how women objectify men.

Which leads me to feelings-driven love and false romantic ideals. Have you ever stopped to think about what books and movies and TV shows and pop songs are all telling us about what love is and what ideal romance looks like? If you haven’t noticed, love is a feeling. And romance is an intense, often tumultuous, chemistry-infused whirlwind affirmed by good sex great sex.

Already there are some elements of the romantic plot-lines in Glee that cause me to be hopeful that things will flip, but until they do, the following scenes perfectly expose the love = feelings definition that we know in our heads isn’t right but aren’t doing much to counter in our own lives.*

Before I dive into the scenes, a little Will & Terri Schuester background:

Once upon a time Will, the goody choir boy had a crush on an older girl named April. That didn’t work out so he dated and subsequently fell in love with Terri. Together for many years, their marage [sic] appeared to grow stagnant until Terri announced she was pregnant. Will was quick to step up to be the daddy despite his wandering eye for the ginger co-worker [Emma]. (Glee Wiki)

Okay. Scene: Will finds out Terri’s been faking the pregnancy and freaks out (naturally). After ripping the pregnancy pad from Terri’s waist, Will tearfully tries to make sense of his upside-down world:

Why did you do this to us? I don’t understand.

I thought you were leaving me. You’re so different, Will. We both know it; I can feel you, you’re pulling away from me.

Why, because I – I started standing up to you, trying to make this a relationship of equals?

No, because of the damn Glee club! Ever since you started it you just started walking around like you were better than me.

I should be allowed to feel good about myself!

Who are we kidding, Will? This marriage works because you don’t feel good about yourself.

[…]

I loved you Terri, I really loved you.

I’m so sorry, Will. I’m so sorry. Do you remember at that appointment? Do you remember what we said? That at that moment, no matter what happened, we loved each other. We could get that feeling back again. You could love me back, Will. (“Mattress”)

Exit Will.

Next episode. The Glee Club kicks tail (and Lea Michele does the best “Don’t Rain on My Parade” I’ve ever heard) and take Sectionals, after which Will comes back home for the first time since he left to change clothes for Emma’s wedding.

Enter Terri:

I want you to know I’ve been seeing a therapist. It’s just at the local community center, but still.

Good. I hope it works out for you.

I’m taking responsibility, Will. I mean, I’m weak, and I’m selfish, and I let my anxiety rule my life. But you know I wasn’t always that way. It’s just that I wanted so many things that I know we’re never gonna have. But that was okay as long as I still had you. Will… say something.

I’m looking at you, and I’m trying… I mean, I really want to feel that thing I always felt when I looked at you before, that feeling of family, of love. But that’s gone.

Forever?

I don’t know. (“Sectionals”)

So there it is. Love = feelings and this distorted love defines our relationships and whether or not they’re worth fighting for. At least for episodes 12 and 13… The writers have very cleverly set things up so that we experience the relationship almost entirely from Will’s perspective; and we are set up to dislike and distrust Terri and root for Emma. We soothe ourselves for hoping Emma and Will get together even though Will is married to Terri because Terri is selfish, often mistreats Will (and others), and is antagonistic toward Glee, the one thing outside of family that makes Will come alive. While Emma is adorable and caring and seems to have more in common with Will; she’s entirely the lovable underdog we love to cheer for.

But… I kind of feel as though Glee is setting us up to see ourselves for what we really are: unsympathetic, quick to judge and slow to search for the whole story, quick to follow and go after what feels good rather than what is good. Because while Terri Schuester says and does a lot of things that make us question her right to take up space (without the comic relief of Sue Sylvester), there are these deftly placed moments—those Glee -moments—where Terri is human, vulnerable and hurting. And you begin to feel sympathy and find yourself thinking… Is this a trick?

So we’ll see what happens. With each new episode I look forward to more plot twists, magical musical numbers, Sue Sylvester quotes, and busting of social myths and categories.

___________________________________________________________

*A 2008 survey on the divorce rate in America: about one in three. (And Christians? Largely the same: about one in three.)
Christian porn and masturbation and the connection to fantasy-inflated expectations of real life.
“Christian” novels are just as bad, if not worse, at proliferating a false romantic ideal.

This blog post originally appeared at reneamac.com/2010/05/04/glee-tastic/


“Is My Husband’s Cybersex Grounds For Divorce?”

My husband has been having cyber sex. Sometimes there was a camera on the other end. Is this biblical grounds for divorce?

Dear ________,

I am so sorry. What a horrible betrayal you are feeling!

I don’t know God’s definitive answer on this, but I do think that cyber sex and webcams are high-tech ways of extending the sins of lust and fantasy, which are mental and emotional sins . . . but I don’t believe they cross the line of adultery. Actual sex between two people has an effect of creating soul-ties to each other that compromises the marriage covenant.

I think the bigger issue is one of hard-heartedness. If you have asked your husband not to engage in cyber sex and to get rid of the camera, and he refuses because he wants what he wants even if it means hurting you, then that’s the real issue. What kind of marriage is it if one person makes self-centered choices that insure the other will be hurt?

May I respectfully suggest you read Drs. John Townsend and Henry Cloud’s excellent book Boundaries in Marriage for some wisdom on what to do next. For example, I have a friend whose husband refuses to stop going to a website where he can play games and chat with other women, and he has fallen into at least emotional affairs with a couple of them. She has said, “As long as you won’t get rid of Pogo, you can do your own laundry.” This way, his stubbornness and selfishness are costing him something.

Hope you find this helpful. Again, I am so sorry. My heart hurts for you.

Sue Bohlin

© 2007 Probe Ministries