Lord of the Rings, Whale Rider, and Winged Migration
This year the first of twelve films from 2003 that were especially notable is the final installment of Tolkien’s trilogy Lord of the Rings: The Return of the King, directed by Peter Jackson. The conclusion of the final installment is structured around the hobbits Frodo (Elijah Wood), and Sam (Sean Astin) as they attempt to return the Ring to Mount Doom where it can be destroyed and save Middle Earth from those who would use the Ring for evil.
Gollum, the grotesque creature who was once a hobbit, continues to struggle with his dual nature; he loves both Frodo and the power of the Ring, but can only have one or the other. This is a valuable lesson for all persons who must make decisions which will affect their lives for eternity. Unlike Gollum, Frodo, Sam, Gandalf, Arwen, and Aragorn are heroes who overcome great difficulties and extraordinary odds to do the right thing. They all simultaneously attempt to avoid the temptation of the Ring, and instead take the long road toward righteousness. Throughout all nine hours of the trilogy, and especially in this last installment, the epic battle in the heart of man and his nature to embrace evil instead of good serves as the thematic backdrop for some of the most amazing visuals in the history of film.
Those who enjoyed the Lord of the Rings, should also like Whale Rider. Rider, directed by Niki Caro, was the winner of audience awards at both the Sundance and Toronto Film Festivals. This film falls into categories of both coming-of-age films, and those which emphasize the triumph of the will. A young New Zealand girl named Pai (Keisha Castle-Hughes) is the surviving twin of a difficult birth which also claimed her mother’s life. Koro (Rawiri Paratene) is the tribal chief and grandfather of Pai. Koro is a traditional male in a traditional New Zealand tribe, and Pai is a less than traditional young girl who challenges the accepted way of thinking and dares to believe that she can become the next chief.
Third in a series of extremely good films which can be recommended to all audiences is Winged Migration, a documentary about birds directed by Jacques Perrin. The birds in this film are all flying long distances for the winter, either north or south depending upon their hemisphere of origin. The entire picture is like a nature documentary on steroids; it has all of the wildlife footage one would expect, coupled with seamless shots from ultra-light planes and balloons. This is state of the art documentary that allows the viewer to experience the lives of birds as never before seen.
Luther and Bonhoeffer
A second group of notable films for 2003 is Luther, a dramatic rendering of one of the greatest of the sixteenth-century reformers, and Bonhoeffer: Agent of Grace, a historical documentary style drama about the German theologian who worked against the Nazis, and posthumously became one of the most important voices in twentieth-century theology.
The film titled simply Luther begins with the young reformer bargaining with God and vowing to enter the monastic order if his own life will be spared. He soon become the chief voice standing against the Holy Roman Church’s practice of indulgences and overall spiritual blindness. The indulgences are a major form of income for the Catholic church, and Luther (Joseph Fiennes) finds himself in a kind of David and Goliath position. One of Luther’s chief opponents was Leo XII (Uwe Ochsenknecht), who took the young monk’s teachings and sermons to be a personal attack upon authority, as well as a financial threat to the empire. Fredrick the Wise (Peter Ustinov), the prince of Augsburg, begins to side with Luther’s teaching, and a full scale religious schism erupts.
The film captures Luther’s life from his call to become a monk through twenty five years of debate and persecution at the hands of the Roman Catholic Church, and ends with the start of what would become the Protestant Reformation.
Bonhoeffer: Agent Of Grace is a film about the life of Dietrich Bonhoeffer from the late 1930s to his death in Germany at the end of WW II in 1945. Bonhoeffer is in America observing the African-American style of worship when the film opens. America would be a safe place to sit out the war, but Bonhoeffer returns to Germany and begins a rhetorical campaign against Hitler, the Nazi party, and even the leaders of the church for their role in the rise of the Third Reich and of the persecution of the Jews.
Bonhoeffer joins the resistance movement when he returns to Germany, and soon he is being watched by the Gestapo. As the “final solution,” the extermination of the Jews during the Holocaust, is implemented, he is arrested after a failed attempt on Hitler’s life. Bonhoeffer’s prison writings are very pragmatic, but they are also the reflections of a devout Christian who is wrestling with ethical dilemmas arising from the war. During times of war and great political evils, Christians must struggle with how much violence and evil can be used to resist an ultimately evil person or situation. Bonhoeffer was eventually executed in 1945 at the age of thirty-nine believing that there is a difference between the “cheap” grace we lavish on ourselves, and the more “costly” grace which may demand a man’s life.
Master and Commander: The Far Side of the World and The Station Agent
Our list of notable films from 2003 continues with Master and Commander, an epic sea adventure set in 1805 when the British boasted that the sun never set on their empire. The film is based on the novels of Patrick O’Brian, and does for the early nineteenth century what Saving Private Ryan did for WW II; the film really makes viewers feel as though they are sailing the high seas in search of adventure.
Set on the HMS Surprise, the plot line follows the Acheron, a French warship, as it tries to catch the Surprise which is commanded by Capt. Jack Aubrey (Russell Crowe). Aubrey is contrasted with his friend, Stephen Maturin, the ship’s surgeon. Capt. Aubrey is a pragmatist who pursues noble adventure and a life of war upon the sea. Maturin is a very introspective intellectual who travels with the British warship so he can collect animal and biological specimens. The contrast is highly textured and extremely well developed, affording the viewer a rare insight into the psyche of two very different, if not totally opposite, men. All of this and high sea adventure involving very violent war scenes make for a thoroughly delightful film.
Another fairly accessible film, but not one recommended for those under seventeen, is Thomas McCarthy’s film, The Station Agent, which is centered around a dwarf named Finbar McBride (Peter Dinklage). McBride has a passion for trains, and uses that passion to protect himself from those who would mock and pester him. His devotion to all things relating to trains is fully realized when he inherits an old run-down train station in the town of Newfoundland, New Jersey when his only friend in the world, Henry Styles (Paul Benjamin), dies. Finbar moves into the train station seeking peace and solitude from a world that has a hard time understanding someone who appears to be so different, but who is actually more human than those people who intentionally and unintentionally persecute him.
Finbar’s hope for solitude is first interrupted by Joe Oramas (Bobby Cannavale), who drives a coffee truck and is always willing to give unsolicited advice to others. Finbar’s solitude is further disrupted by Olivia Harris (Patricia Clarkson), a divorced woman who is working through the death of a child. Olivia almost hits Finbar with her car as he is coming and going from a nearby convenience store, presumably to emphasize his near invisibility to others. Like a good Flannery O’Connor short story, The Station Agent closes with a scene that will cause all viewers to examine their attitudes toward people who are different.
Elephant and Thirteen
Two films from 2003 that deal with teenagers are Elephant, from Gus Van Zant, and Thirteen, directed by Catherine Hardwicke.
Elephant’s title comes from the familiar reference to an elephant being in the room, and everyone pretending that it is not there. The film is a chronicle of one day in a Columbine-like high school, and the complete inability of those involved, as well as those viewing the film, to comprehend what is happening. The camera simply tracks the activities of the killers and their victims in the hours that lead up to the massacre. Then the viewer gets a front row seat to the killings that any reporter would love to have for a spot on the evening news. Van Zant is uses violence to protest violence, presumably believing that much of the violence we have in this country is due to not understanding how pervasive and real such violence is, or that it could happen to anyone.
The killers laugh and carry on in such an unconcerned manner that the viewer cannot believe they would strike out against their world by shooting their classmates. Christian viewers, however, should be able to watch the film knowing that the explanation for such behavior rests in the doctrine of original sin and man’s fall from grace. It can also remind people that things happen that do not always follow our expectations.
In Thirteen, another film dealing with teenagers, the emphasis is on the difficulties faced by many adolescent girls. Evie (Nikki Reed) is a wild child who loves to flirt with danger, and is exactly the kind of girl you would not want your daughter to have as a friend. She is popular, sexually experienced, and lives without shame or worry. Evie’s character is a sharp contrast with that of Tracy (Evan Rachel Wood), the good and unassuming girl who just wants to be cool and hang out with a more popular crowd. Evie begins to relate stories of sexual conquests and shoplifting sprees that are particularly impressive to Tracy. It seems as though Evie wants to clone herself as many times as possible.
Melanie (Holly Hunter), Tracy’s mother, is a divorcée and recovering alcoholic who can barely make ends meet. She is a little naïve concerning her daughter’s behavior, but begins to have suspicions when Evie comes to live with them. Evie’s behavior goes from bad to worse until a culminating scene where her lies are exposed, and Tracy begins to see the wisdom of her mother’s advice.
Both Elephant and Thirteen are films which should be approached with caution. And while they are not for everyone, some people will find them to be among of the best examples of teen angst in recent years.
The last three films recommended as notable features from 2003 are Mystic River, Stone Reader, and Finding Nemo. Mystic River is Clint Eastwood’s twenty-fourth film, and one of the handful he has directed but not also starred in. The story is centered around the lives of three boyhood friends who grow up, get married, and live normal if not boring lives.
The three friends, Jimmy, Dave and Sean (played by Sean Penn, Tim Robins and Kevin Beacon respectively), have tried to forget the time when one of them was molested by a man in their Boston neighborhood. The emotional trauma the young boys suffered is revisited when Katie, Jimmy’s daughter, is brutally beaten to death. The two main suspects are Brendon, Katie’s boyfriend, and Dave, who came home mumbling about beating up a mugger and was covered in blood.
Jimmy takes the law into his own hands when he believes he has discovered Katie’s murderer. There is a connection between the revenge Jimmy executes and the molestation the men witnessed when they were young. There is a “mystic river” that flows in a man’s life, and rarely is the destination reached the same as the one hoped for. Mystic River finishes as a meditation on time, growing old, and the way in which the past continually affects the future.
Stone Reader, a documentary by filmmaker Mark Moskowitz, opens with a search for Dow Mossman, an author who wrote a single novel only to “retire” and disappear into obscurity. There are plenty of films based on books, and others with authors as major or minor characters, but there are very few films so purely about books, authors, editors, and the difficult task of seeing even a single novel through to publication.
Editors and publishers provide some of the most interesting dialogue, discussing everything from the difficulties of publishing, to the classic, but real, anxiety of the author, and the plight of the one-novel wonder.
The documentary is also a quest and road film. It is a kind of odyssey for anyone who has loved a particular novel or its author, and wondered what became of them years later.
Finally, no list of notable films from 2003 would be complete without Finding Nemo, the animated film from Pixar, the studio responsible for Toy Story. In Nemo, the action is centered around an overprotective father and his son who are both fish. As in Toy Story, where the world of toys were brought to life, the Pixar people take viewers into the highly colorful world of the ocean. The viewer will be rooting for little Nemo as he is caught by a diver and is pursued by a loving father.
© 2004 Probe Ministries